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A Note for Teachers on One Act Play |
Play
is yet another genre of literary writing besides prose,
fiction, poetry, etc. Critics have referred to literature,
of which play is a part, as an imitation of reality.
Literature is said to reflect life. Shakespeare makes
similar observations but from the reverse side of the
telescope: In the play, As You Like It, he says
| All
the world's a stage, |
| And
all the men and women merely players: |
| They
have their exits and their entrances; |
| And
one man in his time plays many parts, |
| His
acts being seven ages. |
According
to Shakespeare, life is a play and all of us stage performers.
So either way we look at it, a play carries the depiction
of reality and deals with life.
The
situations in the play may be authentic or imaginary
or both, authentic and imaginary. Situations contribute
towards developing characters, major and minor, by involving
them in a series of events, big and small. These characters
move ahead experiencing combinations of the nine emotions
known to human beings. A play typically introduces a
plot and sub-plots, builds up a conflict and later resolves
it.
The
practice of writing and enacting plays occupies a significant
place in the school curriculum. Such activities taken
up as projects train students in language skills while
stimulating their imagination and creativity. Taken
in full earnestness, these projects work towards developing
the personality of students as they involve a lot of
planning and organizing. Leadership qualities get honed
as much as qualities needed to work in teams.
Frederick
Klippel (1984) recommends that teachers pay attention
to the following aspects while teaching students to write
plays:
- to
involve students by posing situations and problems
which demand solution
-
to place responsibility on students to prepare the
play
-
to make the slower, weaker students participate as
actively as the better students
-
to link plays to their reading
- to
link plays to their experiences
It
is a good idea to encourage students to write plays
on imaginary situations or even those drawn on their
lives. But it is also quite in order to let them take
up works of fiction and rewrite them in the form of
drama, as long as they acknowledge the source.
Guidelines to be observed:
- use
conversational English
-
avoid monologues
-
have around 7 scenes in a one-act play
-
keep the plot simple
- take
up familiar cultural settings
Note
on Lessons
The
present project on writing one-act plays is designed
in the following manner:
Part: 1
Week
1-4 (June 1-30, 2002)
At the end of this period each student should have written
one play in each of the sections. Four tasks each week
for each of the three sections i.e., Primary, Middle
and Secondary/Sr Secondary Sections. All the tasks will
have examples. The students will also have the choice
to experiment further with the examples meaning they
can rewrite/develop further the plays written as examples.
We do not make any claims to presenting model writing
of plays since that is not desirable nor is it possible
due to space limitation.
There are 16 tasks designed to train you in writing
a one-act play. This week looks at the first four tasks.
The examples given for the tasks are not to be taken
as model pieces. They have scope for further development,
polishing, etc. In addition to the one act play they
write, students may build upon the examples further
if they wish to.
Part: 2
Week
1-4 (July 1-31, 2002)
Each student should be able to write one play in each
of the 3 sections. 4 tasks each week for each of the
three sections i.e., Primary, Middle and Secondary/
Sr Secondary Sections. There will be more scope for
guided writing in this part of the project. Other instructions
will be given with the tasks.
|
Task
|
Primary
Section
|
Middle
Section
|
Sr.
Secondary Section
|
|
Activity
|
Purpose
|
Activity
|
Purpose
|
Activity
|
Purpose
|
| 13 |
Scene
4 |
Action
2 with Alternate Dialogues Incomplete |
Scene
4 |
Action
2 with Alternate Dialogues Incomplete |
Scene
4 |
Action
2 with Alternate Dialogues Incomplete |
| 14 |
Scene 5 |
Conflicts
with Chunks of Dialogues Missing |
Scene
5 |
Conflicts
with Chunks of Dialogues Missing |
Scene
5 |
Conflicts
with Chunks of Dialogues Missing |
| 15 |
Scene 6 |
Climax
with Expansion and Construction |
Scene 6 |
Climax
with Expansion and Construction |
Scene 6 |
Climax
with Expansion and Construction |
| 16 |
Scene
7 |
Resolution
with Imagination |
Scene
7 |
Resolution
with Imagination |
Scene
7 |
Resolution
with Imagination |
|
Task
|
Primary
Section
|
Middle
Section
|
Sr.
Secondary Section
|
|
Activity
|
Purpose
|
Activity
|
Purpose
|
Activity
|
Purpose
|
| 1 |
Scene
4 |
Action
2 with Alternate Dialogues Incomplete |
Scene
4 |
Action
2 with Alternate Dialogues Incomplete |
Scene
4 |
Action
2 with Alternate Dialogues Incomplete |
| 2 |
Scene 5 |
Conflicts
with Chunks of Dialogues Missing |
Scene
5 |
Conflicts
with Chunks of Dialogues Missing |
Scene
5 |
Conflicts
with Chunks of Dialogues Missing |
| 3 |
Scene 6 |
Climax
with Expansion and Construction |
Scene 6 |
Climax
with Expansion and Construction |
Scene 6 |
Climax
with Expansion and Construction |
| 4 |
Scene
7 |
Resolution
with Imagination |
Scene
7 |
Resolution
with Imagination |
Scene
7 |
Resolution
with Imagination |
§
If you are looking for Writing Tasks of the earlier
weeks posted here, click on Archives
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